Voyeurs in the Dark is the forthcoming album by Canadian singer/songwriter Barzin to be released this spring via Monotreme Records. The music video for title track (directed by jmystudio.com), takes you on a sensual journey through a nocturnal cityscape. It is being premiered today by Italian magazine Rumore.

Says Barzin,“I remember, years ago, coming across a passage written by the writer and psychologist, James Hillman. It said: “The only solution to the longing for union is union with longing.” This has stayed with me ever since, and I think it has informed this song.””

The single is out on Friday February 11, 2022 on all digital platforms, and the album will be released worldwide on Monotreme Records on April 22nd digitally, followed by physical releases on CD and 180 g black vinyl on May 6th. Pre-orders of vinyl LPs or CDs from the Monotreme Records web shop will also include a free limited edition 27-page booklet of poems by Barzin, Playboys in the Holyland. while they last.

Pre-orders here: http://monotremerecords.limitedrun.com/categories/barzin

Barzin will be on tour in Italy in May.

About Voyeurs in the Dark:
Four years in making, Voyeurs In the Dark is Toronto artist Barzin’s fifth studio album. That the album is more cinematic in its scope and conceptual in feel than his previous studio albums can be attributed to the time he spent over the past several years composing the soundtrack for the independent film, Viewfinder.

Voyeurs In the Dark retains that cinematic quality, and at the same time infuses the music with elements taken from Jazz, electronica, rock and pop. Having primarily explored the quiet side pop and folk in his previous four albums, Barzin has expanded his musical palate, broadening his sound towards a more an experimental direction, while still retaining his preoccupation with exploring the  internal landscape. The uniformity of sound that characterized the previous albums has been abandoned for the expression of differing aspects of the self that at times hold opposing views and desires. This is best represented in the image chosen for the cover of the album, which depicts three figures in one body. The album seems to be the expression of not one unified self, but the various aspects of the self.

Voyeurs In the Dark sees the artist plot a seductive, contemplative route through city haze, shuttling between graceful glimmering interludes, with wonderfully atmospheric songs at every stop. From opener Voyeurs In the Dark’s first guitar strums and the fizz of its drum machine, the record envelopes itself in a glorious shadow, as shown in the slow waltz of I Don’t Want To Sober Up, dancing around its own swirling guitar chords. On Watching, Barzin plunges himself deeper into a wash of cyclic bass, guitar and synth riffs, as the gloom grooves into light. It’s Never Too Late To Lose Your Life has a much more affirming and urgent tone, shade turning into shapes and motion, while To Be Missed In the End builds its own smoke in a cloud of saxophone and sparse guitar notes, closing out a record full to the brim with scatterbrain beauty and eclectic dusk.